MELD4 is the fourth in the series of albums of remixes and collaborations with remarkable artists from around the world. This time some of the most brilliant contemporary/avant-garde/jazz musicians have helped Lezet and made this album available.
free download:
http://www.archive.org/details/ca285_l
http://www.archive.org/details/ca285_l
Contacts:
Frederique Bruyas (France)
http://www.bruyas.net
http://www.myspace.com/bruyas
Xabier Iriondo (Italy)
http://www.myspace.com/xabieririondo
http://www.xabieririondo.com
[-hyph-] aka Nicolas Wiese (Germany)
http://www.myspace.com/nicolaswww
http://www.nicolaswiese.com
Total Oral Maniac (France)
http://www.myspace.com/totaloral
http://www.eumolpe.org
Bryan Lewis Saunders (USA)
http://www.myspace.com/bryanlewissaunders
http://www.bryanlewissaunders.org
Josep Damman (USA)
http://www.myspace.com/josephdamman
Matthias Boss (Switzerland)
http://www.myspace.com/matthiasboss
Lezet (Serbia)
http://www.myspace.com/lezet1
MELD4 is the fourth in the series of albums of remixes and collaborations with remarkable artists from around the world.This time some of the most brilliant contemporary/avantgared/jazz musicians have helped Lezet and made this album available.
1.FREDERIQUE BRUYAS(France)
Frédérique Bruyas, public reader. As a public reader Frederique Bruyas conceives public reading as an inexhaustible field of human experience, whose subject is literature in its infinite variety. Her artistic commitment is perfectly rooted in the oral expression of the written word, in all its singularity reading aloud, book in hand. Trained as an actress and as a musician she has developed an intimate relationship with literature. Contemporary playwright Jacques Rebotier was a seminal influence in her work. She believes that the human voice should be the instrument which gives flesh to an author’s thought. She approaches text as a “score of words” be it of classical or contemporary style. Drawing upon her experience with both authors and musicians she created the concept of: “concert-readings”, whilst developing her artistic research directed towards polyphonic readings (with the group Vox Libris), bilingual readings, and a combination of reading with the digital arts. Frederique Bruyas lives in Paris. She worked with many internationally recognised musicians, sound-designers, composers and video-artists, who have sought her participation in performances combining her reading with their sounds and images.
The writers I like to read out loud don’t try to explain the world, but to express it. Their precision, exactitude, and mastery of the language keep them from any illusion one might have about being able to provide a straight description of the world. The text, a literary artifact, is to be read like a map where the real is brought to life on another stage. The text is the written account of the displacement of the real onto the mind’s eye, retaining its outline, its path, and its itinerary. The words are the shadows of the real, the measurable distances from the real.
www.bruyas.net
http://www.myspace.com/bruyas
2.XABIER IRIONDO (Italy)
Xabier Iriondo born in the Isola area in Milan (Italy) in the early seventies from basque father and italian mother. At the age of seventeen he began to amuse himself with an electric guitar and he still does now.
Between 1992 and 2001 he made 5 albums and hundreds of concerts with the pop/rock band Afterhours, 3 albums with the indie/rock band Six Minute War Madness and 3 albums + 2 miniCDs with the A Short Apnea project.
In 2005 he opens in Milan SOUND METAK, a vintage/collector instruments and musical objects shop where he organize concerts/performances.
In these times he's involved as guitarist/sound manipulator in the projects Uncode Duello, Polvere, Tasaday, etc
Xabier Iriondo has played live around Europe and Japan and collaborated (live and studio) with the following bands as musicians: Damo Suzuki, ZU, Rhys Chatham, Sinistri, Wu Fei, Gianni Gebbia, Steve Piccolo, Carla Bozulich, Eraldo Bernocchi, Cristiano Calcagnile, Bruno Dorella, Elio Martuscello, Vincenzo Vasi, Alberto Morelli, Gianni Mimmo, Verdena, Simone Massaron, Gak Sato, Franceco Cusa, Mirko Sabatini, Juan Mordecai, aka_Bondage, Cristina Donà, Stefano Giust, Angelo Contini, Stefania Pedretti, Massimo Falascone, Fabrizio Modonese Palumbo, Diego Sapignoli, Olivier Manchion, Renato Ciunfrini, Claudio Rocchetti, Christian Alati, Andrea Belfi, Madame P, Nicola Ratti, Antonio Gramentieri and many others.
http://www.myspace.com/xabieririondo
www.xabieririondo.com
3.NICOLAS WIESE(Germany) here aided by John Hughes- Double Bass & Lars Scherzberg- Saxophone
"...this stuff might unsettle, or cancel at least part of your confidences;
it surely makes us think hard about how wrong certain artistic canons are... [...]"
MASSIMO RICCI / TOUCHING EXTREMES
"...all jumbled up into a slubby electronic ball and pushed along with sticks.
seems like the base material was probably assembled as much as it was
played per se, but who are we to judge?"THE WIRE
"....silence is hardly an option for him. his collages reminded me a bit of the
good ol’ Brume work. constant shifting the sounds backwards, forward,
upside and reversed, with voices swirling in and out. Very much a work of
musique concrete and electro-acoustics...."F. DE WAARD / VITAL WEEKLY
"...[-hyph-] zappt durch die Kanäle und untermischt die schnarrenden Drones
mit verzerrten TV-Stimmen, Schnipseln von Hardcore und Hip Hop. Zwischen
geheimnisvoll zischelndem Geflüster und gedehntem Gurgeln klimpern
verzerrte Pianoklänge, tschilpen Vögel. Höre ich da so seltsames wie
„Rückwärts geht das Schweigen schneller“? Nur 19:22, aber vollgesaugt
mit einem Zauber, der über das Verstummen hinaus anhält....."R.DITTMANN / BAD ALCHEMY
"Musique numérique, procédés électroacoustiques, la recette et le mode
opératoire sont sensiblement les mêmes. Le rajout de sonorités acoustiques
non retraitées et reconnaissables apporte cependant un aspect plus organique.
Nicolas Wiese affectionne les variations brutales entre silence et volume sonore
intense. Il faut être sur ses gardes, car le pilote est un peu brusque parfois!
Abstraites, étranges et composées de fragments divers, les compositions sont
parfois lourdes et oppressantes. Du grand art pour un performer autant à l’aise
dans les manipulations analogiques que numériques.
[.....]
Nicolas Wiese semble posséder une vision à 360° et assume très clairement
ses prises de risque."SONHORS
http://www.myspace.com/nicolaswww
www.nicolaswiese.com
4.TOTAL ORAL MANIAC (France)
Total Oral Maniac fait partie du collectif T.O.M.A.
(Apparu en juin 2006). Son set est un mélange loufoque de musique en tout genre. Ses apparitions sont souvent considérées comme des moments absurdes et festifs, surtout du fait qu’il détourne des curiosités musicales et les mélanges à ses créations de musique électronique diverses. Son objectif? Réussir à créer une musique burlesque. Quand ce personnage produit en studio, il fait essentiellement de la musique à partir de sons buccaux et de voix, qu’il intègre à ses sets live. D’où son surnom, Total Oral Maniac, donné unanimement par l’ensemble de sa fraternité pour se moquer de lui. Apparemment, il fait parti d’une famille britannique très nombreuse.
http://www.myspace.com/totaloral
www.eumolpe.org
5.BRYAN LEWIS SAUNDERS (USA)
http://www.myspace.com/bryanlewissaunders
www.bryanlewissaunders.org
DISCOGRAPHY :
"INNER DEMON DEMOS VOL. 1-3", CD 2006
"SEX, DRUGS AND INSTITUTIONS" ltd. ed. of 30 (PAL) PROMO DVD, 2007
"MISSING CHILD" (LIVE) DVD Art Performance, ltd. ed. of 10, 2008
"SEX, DRUGS AND INSTITUTIONS" DVD, 2008
"SIGN IT ! (LIVE)" DVD Art Performance, ltd. ed. of 20, 2008
"FUR DIE HUNDE" REMIX CD (SHMF – 019+20 & 019-20nach) 2008
"A/MEI/SEN" CD B. L. SAUNDERS/K. HJULER UND FRAU/FAUST ADOLF HJULER (SHMF - 166) 2008
"N1-N4 VARIATIONS (Documentation of all 4 Sleep Stages)" CD, 2008
"DAKU" by Z'EV & Bryan Lewis Saunders CD, ltd. ed. of 77, (SUT-9) 2008
"BED BUGS II" DVD, ltd. ed. of 20, (SUT-10) 2008
"BUSTING OPEN" CD, Chaotic Underworld (CU32) 2008
"SONGS ABOUT HUFFING" ltd. ed. of 100 CASS. Teenage Whore Tapes 2008
"CRAIGSLIST" CASS., ltd. ed. of 50, Anti Everything Noise (AEN ae56) 2009
TRACKS APPEAR ON :
"NOISE RECORDINGS VOL. 2", CHAOTIC UNDERWORLD, 2005
"HUMAN THE DEATH DANCE", Sage Francis: (GOING BACK TO REHAB), EPITAPH, 2007
"INFOLEPSY" VOL. 1 & 2, 2008
"0002 - BODIES THE INSTRUMENT", CLASSWAR KARAOKE, 2008
BIBLIOGRAPHY :
"SEX, DRUGS AND INSTITUTIONS" (BOOK), 2008 Writings and Ilustrations
"SACRIFICE" (ZINE), 2007 Lydia Lunch Interview
"FROM YODELING TO QUANTUM PHYSICS VOL. 1" (APPEARS IN), 2008
VIDEOGRAPHY :
"STEVE MACKAY and the radon ensemble HIDDEN AWAY live 2008" DVD, (URCK) 2009
INTERVIEWS :
"WLOS ABC 13" (News) Ashville NC. 2006
"THE BOWL" (ZINE Issue No. 2), 04/20/07
"VISION" (NEWSPAPER Issue No. 4), 2007
"GHETTOBLASTER" (MAGAZINE Issue No. 19), 2008
COMING SOON : I'll be releasing a 2 cd set titled, "Tales from Jail" with Todd Burris and Daniel Dugger and more. I'll have a track appearing on Erratum 5: Paris' art, noise, poetry label - Erratum (www.erratum.org), as well as a solo CD release on Erratum. A track appearing on Classwar Karaoke (Survey 004) (see below).
6.JOSEPH DAMMAN(USA)
improvised music...sublime and visceral....as simple as that
http://www.myspace.com/josephdamman
7.MATTHIAS BOSS(Switzerland)
violinist, multiinstrumentalist, subjektiver objektgestalter, imaginativer maler.. schon früh...später dann...ohne zwar....unter berücksichtigung...auch seine urgrossmutter...der singende backstein
influences:die vielen menschen, tiere und andern geschöpfe; fluxus: création permanente, bien fait- mal fait- pas fait (Robert Filliou); in der stille schlafen töne in ihrer abwesenheit;Danil Charms, Thelonius Monk der Literatur; geht es womöglich um eine begründung des grundlosen seins?; notengeflatter bezirzt taube ohren mit sirenengesang; das innenleben einer badewanne auf einer juraweide im morgengrauen nach einer vollmondnacht im herbst; dungkran baujahr 1961, farbe blau, immer noch arbeitswillig; eine schneeglocke sass im schnee, bim bam bim bam, und fror so sehhh rrrrrrrr;die zeit wird kommen, in der abschied sich an seine stunde erinnern wird, aber auch er wird zerrinnen wie wasser in der hand;"les violons de l..automne blessent mon coeur d..une langeur monotone"; "ein zaghafter arsch lässt selten einen fröhlichen furz"; wie der strauss den kopf in den sand im getriebe wachsen blumen sonnenwärts-sonnenblumen;das ich im du sind wir; Muh muh, sagt die kuh, drum drum, das schlagzeug: im winde still schmilzt schnee dahin, überschwimmen enten felder gar; der text auf dem teller, tellertext, ex mit dem text auf dem teller, fresst auf den text auf dem teller; warten bis das brot aufgeht an den rändern der zeit; zweige krachen, knospen knacken, hühner hacken, feuer knistert, ich schweigt, tannen singen, krähen lallen;
http://www.myspace.com/matthiasboss
CLINICAL ARCHIVES NET-LABEL :
http://www.clinicalarchives.spyw.com/
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